Many a Pitch (2007 - 08) are derived from investigations in landscape in which the physical, bodily, or sculptural presence of the photograph is emphasized as something that can be touched, moved, or eroded, and will undergo change, rather than serving as windows into other locations. The topographical elevation of a given place that is referenced and represented is addressed in a circumlocutory manner, while the position of the photographic object itself is more immediately determined and grasped, teasing out ideas of dominion with regard to geographic place and physical presence.
Exuviation Consort
2008
two chromogenic prints on acrylic with lacquer and maple frames
States United: Soft Shoulder/Split Vista (In Short and In Blue)
2007
chromogenic print on acrylic with oil stained oak frame
Malory’s Cradle
2007
gelatin-silver print on Dibond with enamel on poplar frame
Recent Cures
2007
chromogenic print on acrylic with steel reinforced concrete frame
Unfolding
2007
chromogenic print on acrylic with oak frame and post
Atlantic Crossing (Bridge to the Future)
2007
gelatin silver print on Dibond with maple frame
Untitled (Coming Soon)
2007
chromogenic print on Dibond with Alowood frame