Waning Gibbous

Waning Gibbous consists of an image of the waning crescent moon with Venus printed on unfixed gelatin-silver paper. The photographic negative was contact printed onto black and white paper and exposed to the brilliance of full moonlight and a nearby campfire. The resulting print was left unprocessed and unfixed, inducing the image to vanish during the subsequent month or so under continued exposure to ambient, ultraviolet light.

Waning Gibbous (With Venus) ​​2005 unfixed gelatin-silver print (ephemeral photographic print)

Waning Gibbous (With Venus)
​​2005
unfixed gelatin-silver print (ephemeral photographic print)

 

 

Flowers

Mojave Desert Daisies 2010 gelatin-silver print exposed on car dashboard for a day while driving across the Mojave Desert on April 18, 2010, in maple frame

Mojave Desert Daisies
2010
gelatin-silver print exposed on car dashboard for a day while driving across the Mojave Desert on April 18, 2010, in maple frame

Mojave Desert Daisies II 2010 gelatin-silver print exposed on car dashboard for a day while driving across the Mojave Desert on April 17, 2010, in maple frame

Mojave Desert Daisies II
2010
gelatin-silver print exposed on car dashboard for a day while driving across the Mojave Desert on April 17, 2010, in maple frame

Sunflowers Looking Over the Kingdom of Burgundy 1999 gold toned gelatin-silver print

Sunflowers of a Kingdom
1999
gold toned gelatin-silver print

Boquet for Bas Jan Ader 2004 unfixed gelatin-silver print (ephemeral photographic print)

Boquet for Bas Jan Ader
2004
unfixed gelatin-silver print (ephemeral photographic print)

 

 

Equivalent

Equivalent is a diptych of chromogenic prints that toys with ideas of legibility and comprehension. It muddles the tangibly unique thing with reproducibility in its blurring of two and three dimensions, and its left to right, and right to left patterns of reading. The word “equivalent” is a historic reference to canonical modernist photography and the concept of mirroring surface exterior with an interior state or private emotion. But it is also a conflation of possible interpretations and perspectives, ways of gathering information and data, and ways of seeing.

Equivalent ​​2004 two chromogenic prints with painted maple frames

Equivalent
​​2004
two chromogenic prints with painted maple frames

Equivalent (left detail)

Equivalent (left detail)

Equivalent (right detail)

Equivalent (right detail)

 

 
160 Portraits160 Portraits consists of one didactic panel, ten chromogenic prints, and six gelatin-silver prints that each depict a roll of exposed film. The content on each roll of film is concealed, while the mechanisms of reproduction are foregro…

160 Portraits

160 Portraits consists of one didactic panel, ten chromogenic prints, and six gelatin-silver prints that each depict a roll of exposed film. The content on each roll of film is concealed, while the mechanisms of reproduction are foregrounded and reproduced for the viewer. The title of the installation and accompanying didactic panel suggest that the rolls of film contain environmental portraits (ten per roll) and other images of an individual engaging in various self-reflexive activities.

160 Portraits ​​2002 one didactic, ten chromogenic prints, and six gelatin-silver prints on extruded polyvinyl chloride

160 Portraits
​​2002
one didactic, ten chromogenic prints, and six gelatin-silver prints on extruded polyvinyl chloride

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Flags

For six months beginning in the Fall of 2001, through the Spring of 2002, my car was dressed with a flag. These are a few of the images that resulted from this relatively inconspicuous performance. During this period, well over one hundred million American flags were imported into the United States, most of which decorated automobiles across the country, and from which many retired in the streets, sidewalks, and gutters of public spaces.

Flags  2001 pigment print

Flags
2001
pigment print

Flag 2001 pigment print

Flag
2001
pigment print

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Blown Smoke

Blown Smoke 2002 plaster moulds made in attempt to capture, record, and reproduce blown smoke

Blown Smoke
2002
plaster moulds made in attempt to capture, record, and reproduce blown smoke